Universal Audio 4-710d 4-Channel Mic Preamp

The Centerpiece of Your Studio!

The Universal Audio 4-710d combines four 710 Twin-Finity mic pres into a single unit with A/D conversion, and costs less than three original 710s combined! But that's not all. The preamps take a Class A triode tube preamp and a completely separate Class A FET preamp circuit and lets you blend the two signals together to taste. While they were at it, Universal Audio also added a simple 1176-based compression section to each channel. Now it's even easier and more cost effective than ever to add a set of these fantastic hybrid preamps to your studio.

Universal Audio 4-710d 4-channel Microphone Preamplifier at a Glance:


Four 710 Twin-Finity mic preamps with compression
Phase-aligned "tone blending" of tube and solid state
Onboard A/D conversion with digital outputs

Four 710 Twin-Finity mic preamps with compression
Most sound engineers knows of the Universal Audio 710 Twin-Finity mic preamps. This award-winning design is a standard in studios and live rigs around the world. The UA 4-710d features four of these bad boys, and comes in well under the price of four separate 710 units. Each channel also offers UA's newly designed 1176-style compression circuit. Not only do you get top-notch sounding preamps, but you can dial in the exact amount of compression you need to make your sound source punch through the mix.
Phase-aligned "tone blending" of tube and solid state
Each of the four mic preamp channels on the 4-710d allows for choosing between a 100% tube and 100% solid-state signal path, or any mix of the two that you desire with it's continuously variable control. Don't get stuck with having to switch preamps every time you want a different sound, or worse yet, get stuck with only one sound to work with. Go from creamy to crunchy with Universal Audio's 4-710d blendable tube and solid-state signal paths.
Onboard A/D conversion with digital outputs
As if the Universal Audio 4-710d doesn't do enough for your studio, the eight analog inputs are also digitized via 24-bit A/D converters up to 192kHz. Digital output is available via dual ADAT "lightpipe" or AES/EBU DB-25 connectors, letting you get effortless compatibility with most popular audio interfaces. What's more, you can even network other analog mic preamps through the 4-710d for it's A/D conversion. It's not going to play your instrument for you, but it's pretty much got everything else covered.
Universal Audio 4-710d 4-channel Microphone Preamplifier Features:

Phase-aligned "tone blending" of tube and solid state
Newly designed 1176-style compression/soft-limiting circuit on each mic channel
Monolithic balanced output stage
Dual gain stages
Balanced send/return inserts
Discrete JFET DI with 2.2M ohm ultra-hi-Z impedance
70dB+ of gain, +48V phantom power, pad (15dB), phase invert, and low-cut filter (75Hz)
Front-panel hi-Z input (switched from mic/line)
Rear-panel XLR mic input, XLR line input, and XLR line output
Digital output via dual ADAT optical or AES/EBU (DB-25)
8 channels of high-quality 24-bit/192kHz A/D conversion

Get awesome tube/FET preamplification from the Universal Audio 4-710d!


Tech Specs



Preamp Type
Hybrid


Number of Channels
4


Frequency Response
20Hz-20kHz


Phantom Power
Yes


Compressor
Yes


Analog Inputs
4 x XLR (Mic), 4 x 1/4" (Line), 4 x 1/4" (Hi-Z), 4 x 1/4" (Line - CH 5-8)


Analog Outputs
4 x XLR


Digital Outputs
1 x AES/EBU (DB-25), 2 x ADAT (Optical)


Clock I/O
2 x Word Clock


Rack Spaces
2U


Height
3.5"


Depth
12"


Width
19"


Weight
11.5 lbs.




THSD: www.music-blvd.com 2,199/2000
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