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หมวดหมู่ | Recording |
สภาพ | สินค้าใหม่ |
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สภาพ | สินค้ามือสอง |
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รายละเอียดสินค้า |
Vibrant Tube Compression in a 500 Series ModuleThe Wes Audio RHEA stereo compressor module is equipped with a tube gain reduction circuit to deliver highly musical results along with stellar audio quality, thanks to its fully analog signal path and bass-bolstering interstage transformers. And while the signal path is 100% analog, RHEA offers full control and automation from your DAW — the perfect combination of analog and digital technologies. A switchable harmonic distortion circuit allows you to add color and depth to your audio; a mix knob makes it easy to apply parallel compression. Complete with highpass sidechain filters to prevent bass from over-triggering compression, the Wes Audio RHEA tube compressor module will exceed your expectations in terms of what a stereo bus compressor can do. Full recall and automation when used with NG500-compatible racksWhile the WesAudio RHEA compressor module will work with many standard 500 series racks, you'll be able to tap into advanced digital control when you load it into one of WesAudio's NG500-compatible racks, such as their TITAN series. NG500-compatible racks like the TITAN allow for digital control over your modules, facilitating full session recall and supporting automation from your DAW. In a typical 500 series rack, just connect a USB cable directly to RHEA for full recall capabilities. Stellar sound quality with selectable harmonic distortionNo sonic compromises here: the all-analog RHEA stereo compressor module boasts a generous +24dBu of headroom. And if you want to add a little something special to your audio on the way through, switch on RHEA's THD (Total Harmonic Distortion) mode. With selectable Med and High modes, THD saturates your signal for added harmonic complexity — it's perfect for beefing up low end or adding complex midrange richness to your mixes. Sidechain filters help prevent excessive compressionThe RHEA compressor module offers three switchable highpass filters, which are extremely useful for preventing bass frequencies from triggering too much compression. Mix engineers at Sweetwater especially like this when using RHEA for stereo applications like drum overheads — the sidechain filter allows the sharp snare and cymbal sounds to trigger compression, while preventing the kick drum from overly triggering the compressor and crushing everything. With all these filter options, you'll be able to ensure loud bass hits don't cause your mix to implode. WesAudio RHEA 500 Series Stereo Tube Compressor 500 Series Module Features:
Tech Specs
www.music-blvd.com 1,399USD (I) ![]() |
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