PreSonus StudioLive 16.4.2 AI

16-channel performance and recording digital console with Active Integration.




With its incredible signal-processing power on
every channel, easy store and recall of every setting, and the ability
to record it all with just two mouse clicks, a StudioLive mixer will
spoil you fast! Easy to use, great sounding, and flawlessly integrated
with state-of-the-art software, it delivers the most creative
environment possible for both live performance and studio music
production. The new AI series starts with all the strengths of previous
StudioLive models, then pushes the technology to the next level. This is
the StudioLive 16.4.2 AI. There is a 32-channel version and a
24-channel version as well.

StudioLive 16.4.2 AI is built with
next-generation Active Integration technology that adds unprecedented
power for mixing consoles anywhere near this price class. So while the
16.4.2 AI looks and feels much like its non-AI counterparts it has with
far more computing power, which makes possible some very useful new
features.

For starters, you get twice as many internal effects
buses and 31-band graphic EQs. Presonus has added six mute groups and
user-assignable Quick Scene buttons.

You’ll love the ability to
create two complete sets of EQ and dynamics settings for a channel or
bus and then make quick A/B comparisons at the touch of a button.

A
built-in 48x34 FireWire S800 interface is standard equipment but
Thunderbolt and Dante cards are expected by the end of 2013. A dedicated
USB 2 port and included Wi-Fi LAN adapter lets you control the mixer
wirelessly—even without a Mac® or Windows® PC.

Of course, you get
the latest version of Presonus’ tightly integrated software bundle,
including updated Capture™ 2.0 recording software, Studio One Artist®
DAW, and Virtual StudioLive-AI editor/librarian/control software with
Smaart Measurement Technology™. StudioLive Remote-AI for iPad® and
QMix™-AI for iPhone®/iPod® touch will both be available free from the
Apple App Store.

The deeper you dig into the StudioLive
16.4.2AI’s capabilities, the more you will realize that the future of
digital mixing starts here and now.

The future is Active Integration
Products
that sense each other, interact and work together via wireless and
wired communication, feature 32-bit floating-point DSP and seamlessly
integrated software, and run on CPUs far more powerful than competitors’
current audio products—PreSonus has realized this dream with its new
Active Integration technology.

Thanks to Active Integration, the
StudioLive 16.4.2 AI mixer has 64 times the processing power and an
incredible 10,000 times more RAM than the StudioLive 16.4.2. This makes
possible the aforementioned extended feature set.

A quick look at
the StudioLive 16.4.2 AI reveals a now-familiar, user-friendly mixing
surface. It sports 100 mm faders for the 16 channels, 4 subgroups, and
main bus. As with all StudioLive mixers, convenient knobs and buttons
abound, and all core mixing features are immediately accessible from the
mixing surface, without using the LCD, providing an intuitive,
analog-like user experience.

The unique Fat Channel section
delivers a compressor, limiter, gate/expander, and four-band fully
parametric EQ on every channel, bus, and subgroup, plus a high-pass
filter and polarity invert for each channel—not to mention routing,
panning, and Scene and setting store and recall.

Select buttons
assign the channels, buses, and subgroups to the Fat Channel for
processing and routing. There’s a Talkback section, Cue section, and
extensive metering.

And of course you get aux buses—14 of them—and 32-bit floating-point stereo reverb and delay on dedicated buses—two of each.

View
the rear, and you’ll see a familiar StudioLive jack-field, with XLR mic
and ¼” inputs and TRS insert points on every channel, along with a
wealth of other inputs and outputs. A pair of FireWire ports—FireWire
S800, rather than the FireWire 400 ports found on the StudioLive 16.4.2,
16.4.2, and 16.0.2—provides wired networking to a Mac or PC, with
options for Thunderbolt and Dante. Stereo S/PDIF digital outputs—check!
Analog direct channel outputs on DB25 connectors—check! Obviously,
flexible connectivity is no problem.

Yes, the 16.4.2 AI is a
StudioLive. But it’s a major step beyond previous StudioLive mixers.
Easier to use, better sounding, and flawlessly integrated with
state-of-the-art software and extensive remote-control features,
StudioLive 16.4.2 AI delivers the most creative environment possible for
both live performance and studio music production.

But
StudioLive is not simply a mixer, it's a rapidly growing family of
state-of-the-art, integrated hardware-software mixing and recording
systems that deliver the features you need for live sound, live
recording, and studio recording.

The StudioLive 16.4.2 AI is a
fine choice for those who want to mix medium-sized and large shows and
worship services, and it's a great choice for club systems, corporate
applications, and educational institutions. And it's the perfect
hardware core for a sophisticated project studio.

Here, in one
device, are high-headroom XMAX™ microphone preamplifiers, a built-in
48x34 FireWire S800 recording and playback interface, more than 300
signal processors, a big library of DSP effects, 14 aux buses, 4
subgroups, extensive LED metering, mixer save and recall, channel-strip
save/recall/copy/paste, talkback, and more.

Build live mixes that
glisten with clarity and detail—then record and enhance the performance
with the power of StudioLive 16.4.2 AI. Get creative in the studio.
Build mixes, loops, sound effects, and more, then bring them out to your
show and mix them live. Process channels using your favorite plug-ins
and completely automate your entire performance.

That’s just the
start. Control the StudioLive 16.4.2 AI from your Mac, PC, or iPad®.
Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to
the room and fix feedback problems with VSL-AI’s integrated Smaart
Measurement Technology™.

StudioLive 16.4.2 AI revolutionizes music production, opening endless creative possibilities.

Control your sound your way!
With
a PreSonus StudioLive-series digital mixer, you not only get high-end
sound and tremendous processing, mixing, and recording power, you can
control all of this sonic might from virtually anywhere. Want to touch
your mix with the physical feedback of real faders and rotary knobs and
an intuitive, analog-like user interface? The StudioLive delivers big
time; sound people who have only mixed with analog boards quickly become
comfortable working with a StudioLive.

Like all
StudioLive-series mixers, the StudioLive 16.4.2 AI offers convenient,
backlit Mute and Solo buttons for every channel, subgroup, and aux bus.
But the 16.4.2 AI adds another feature that makes the mutes even more
useful: six mute groups with All On and All Off buttons.

Virtual StudioLive-AI: The magic of computer control.
Despite
its analog-like mixing surface, this is very much a digital console,
and it offers features no analog mixer—and very few digital boards—can
match. For example, the ability to control the StudioLive mixer from a
laptop adds tremendous flexibility and convenience—and with the bundled
Virtual StudioLive-AI bidirectional control/editor/librarian software,
you get it all for free.

Written exclusively for StudioLive
mixers, Virtual StudioLive (VSL) provides a complete visual
representation of the mixer, allowing you to control the features with a
mouse, trackpad, or trackball on a networked Mac® or Windows® PC. Add
third-party VPN software, and you can even control StudioLive mixers
over the Internet—ideal for contractors. To get a competing mixer with
computer control even close to this complete, you'd have to pay several
times as much.

Even better: wireless control!
You’re
mixing a live show, and you need to check the sound underneath the
balcony—or in the balcony, for that matter. Or you’re sound-checking and
want to hear the stage monitors for yourself. If you can’t leave the
mixing station, you have to rely on someone else’s ears. If you don’t
have a reliable crew, you don’t have a chance.

The StudioLive
16.4.2 AI sports an Ethernet port that allows you to connect to a
wireless router for wired Ethernet and wireless Wi-Fi networking. In
addition, the mixer has a USB 2.0 port that hosts the included USB Wi-Fi
LAN adapter, providing wireless networking without a router for
situations where a less powerful, ad hoc Wi-Fi connection is sufficient.

In
this way, the mixer can be controlled from a laptop using VSL and from
an iPad® using StudioLive Remote-AI, which is available free from the
Apple App Store. SL Remote-AI is easy to use, provides control of almost
every feature of the StudioLive—including Scene changes and Smaart®.
And it looks and feels like an iPad app should.

Yet even better: control of monitor mixes from iPhones and iPod touches!
We've
given you a lot of sonic control with the StudioLive 16.4.2 AI, Virtual
StudioLive-AI, and StudioLive Remote-AI. It's only fair that we help
you give the band control of their sound, too. With PreSonus' free
QMix™-AI, each band member can control their own StudioLive 16.4.2 AI
aux (monitor) mix from an iPhone® or iPod® touch. QMix lets you adjust a
single aux mix per iPhone. Select inputs and levels for your custom
monitor mix, and then use the Wheel of Me to get, well… “more me”…
quickly during performances.

You can even set permissions to
ensure that the bass player, always the practical joker, can't mess with
the hot-tempered lead singer's monitor mix. Otherwise, that bass player
is going to get in trouble someday.

The level of control you get
with PreSonus StudioLive-series mixers is beyond cool—it's absolutely
ice! Now you can control your sound from anywhere you choose—no limits!
Only with PreSonus StudioLive.

If StudioLive 16.4.2 AI were an
analog console, it would have 4-foot-long channel strips packed with
knobs and buttons or it would require a massive outboard rack of
expensive signal processors! That's because each channel has its own
studio-grade compressor, limiter, gate/expander, 4-band parametric
equalizer, and high-pass filter. In all, we've packed 60 compressors, 60
limiters, 60 gate/expanders, 54 high-pass filters, and more, into one
remarkable Fat Channel.

Because the StudioLive 16.4.2 AI has so
much more processing power and blazing-fast RAM than previous StudioLive
models, you can create two complete sets of EQ and dynamics-processor
settings for every channel and bus and then make quick A/B comparisons
at the touch of the Alt EQ & Dyn button. In this way, you can
experiment with a new sound without having to struggle to re-create your
previous settings, and you can edit a setting and then quickly verify
that the new version is, in fact, better.

Not just effects. Effects you'd expect from a $600 stand-alone processor. Or two.
You
get four programmable, 32-bit, stereo DSP effects engines—two of them
loaded with reverbs and two armed with delay effects that you can really
use. The reverbs are so rich and detailed that you feel like you're
there. Delays are precise. Slap echo sounds like old-school tape
effects.

All 50 preset effects have easy-to-use parameter
adjustments, tap tempo, store, recall, and Scene selection for ultimate
creative flexibility.

The reverbs are so rich and detailed that
you feel like you’re there. Delays are precise. Slap echo sounds like
old-skool tape effects. All 50 effects have easy-to-use parameter
adjustment, tap tempo, and store and recall selection for the ultimate
in creative flexibility.

The StudioLive 16.4.2 AI's 16 31-band
graphic equalizers are pre-inserted on each aux mix and on the Main bus
so you can fix feedback problems and adjust the frequency balance of
your main mix.

Furthermore, with Smaart Measurement Technology™,
you'll be able to really put StudioLive's 4-band, fully parametric EQs
to work improving the sound of your P.A. Precisely identify nasty
feedback frequencies. Get your loudspeakers to play nicer with the room
they're in. Set the correct subgroup output-delay time for remote
speakers. All without having a degree in acoustical engineering.

What was then is now: complete store and recall—instantly.
Two
factors work against getting that Perfect Mix with an analog mixer.
First, the Perfect Mix can be hard to reproduce a week, day, or hour
after you perfect it. And second, a good mix should be dynamic: levels,
effects, and EQ should be tailored to each song or segment of the show,
service, or presentation. This adds up to a lot of settings to remember
and reset at every performance.

That's where the power of digital
comes in: StudioLive lets you save all of your digital settings for
quick setup and recall. Save Scenes that include every setting on the
mixer or save just the Fat Channel settings. Copy-and-paste settings
across multiple channels. Save individual DSP effects for ultimate ease,
speed, and control.

The StudioLive 16.4.2 AI makes saving and
recalling Scenes faster and more convenient than ever thanks to the Fat
Channel’s six user-assignable Quick Scene buttons. These buttons allow
you to create a Scene without storing it to permanent memory and giving
it a name. This is especially useful when mixing multiple bands that you
might not ever mix again. You can also use this to have important
stored Scenes at your fingertips.

This means that for fixed
applications like clubs, churches, and auditoriums, you can always count
on the same sound and can fine-tune Scenes for different songs and call
them up instantly. And it lets rank amateur volunteers successfully
operate the StudioLive 16.4.2 AI.

Recording made easy with Capture™
If
you have a computer with FireWire S800 connection, you have a 34-track
digital recorder instantly ready to capture your gig, church service, or
presentation. That’s because StudioLive 16.4.2 AI features a tightly
integrated FireWire 800 interface that delivers up to 48 channels of
recording and up to 34 channels of simultaneous playback. Each analog
channel on your StudioLive can be set to record either pre- or post-Fat
Channel signal processing, delivering total flexibility and power.

Just
two mouse clicks engages Capture™ recording software. When you install
it on your laptop, it automatically “maps” to the outputs of the 16.4.2
AI to automatically record all 16 input channels plus the stereo main
mix.

Learn more about Capture.
Studio One® Artist — A serious digital audio workstation.
Once
you’re recorded studio tracks or a live multi-track performance, it’s
time to finish it with effects and a good mix (not to mention editing
out that huge burst of feedback during the third song).

Studio
One is a groundbreaking music-creation and -production application for
Mac OS X and Windows® that makes audio recording and MIDI sequencing
ridiculously simple right out of the box.

Studio One changes the
rules of the game with fresh code, innovative drag-and-drop features,
advanced MIDI mapping, auto-configuration with your StudioLive 16.4.2
AI, insanely good audio quality, unlimited tracks and plug-ins per
track, and a powerful, inventive Start page. Studio One Artist also
comes with a Native Effects™ 32-bit effects library, complete with
dynamics processors, reverbs, modulation effects, amp simulators, and
more. And with Studio One's free Nimbit® extension, you can immediately
start selling your music.

Inside, it's pure PreSonus.
Ease
of use and powerful features only count if the sound quality is equally
impressive. After all, it really comes down to how good those
microphone preamps are, how clean the signal path is, and how well the
algorithms perform.

That's why you should choose a digital mixer
made by PreSonus, a company already famous for its analog mic preamps,
pristine digital interfaces, and well-regarded signal processors.

XMAX™
Class A preamplifiers deliver more headroom, deeper lows, smoother
highs, and a richer overall sound than the preamps found in competing
mixers. Ultra-high-headroom, 32-bit floating-point processing is used
for all digital mixing. All analog inputs and outputs use the highest
quality digital converters available.

Synchronization to your
computer is stable and robust, thanks to JetPLL™ synchronization
technology, resulting in great stereo separation and clear, transparent
audio.

A Smaart addition to your system.
Building
a great mix is almost impossible unless you tune your system to account
for the acoustic properties of the room—and every room is different. If
the room overemphasizes the lows, sucks out the highs, or emphasizes
frequencies that tend to cause feedback, you could have a long night
ahead of you.

With other mixing systems, you use your eyes, ears,
and EQs; wade in; and do the best you can. If you’re a top pro, you
know how to read a difficult room and compensate, but the rest of us
usually just muddle through—with uncertain results.

Fortunately,
it’s a lot easier with StudioLive mixers because the included VSL
control/editor/librarian software incorporates Rational Acoustics’
Smaart Measurement Technology™. Smaart is a collection of visual
audio-measurement tools and techniques for sound-system analysis and
optimization that makes tuning the system, squelching feedback, and
setting delay times for remote speakers much easier and more precise—and
you don’t need an engineering degree to use it.






Features

33 mic high-headroom Class A XMAX™ mic preamplifiers (32 channels plus Talkback)
32 balanced TRS line inputs
4 subgroups
Stereo/mono main out
14 auxiliary mixes
48-in/34-out FireWire S800 digital recording interface (24-bit/44.1 kHz and 48 kHz)
Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
Capture™ 2.0 recording software for Mac® and Windows®
StudioLive Remote-AI mixer-control software for iPad® available free from Apple App Store
QMix™-AI aux-control software for iPhone® and iPod touch® available free from Apple App Store
Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
+48V phantom power switch for condenser microphones
Digital Audio Input Select




Order now and realize unprecedented processing power on stage or in the studio.








StudioLive 16.4.2 AI Specifications:


Mac
Mac® OS X 10.7.2 or later
Intel® Core™ Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
2 GB RAM (4 GB or more recommended)
Windows
Windows® 7 x64/x86 SP1, Windows 8 x64/x86
Intel Core Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
2 GB RAM (4 GB or more recommended)
Mac and Windows Systems
FireWire S800 (IEEE 1394b) port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended
Monitor with 1024x768 resolution
The
minimum system requirements may differ for DAWs other than Studio One®.
Please check the requirements for your DAW of choice with its
manufacturer.
Note that the speed of your processor,
amount of RAM and size and speed of your hard drive will greatly affect
the overall performance of your recording system. Also, a more powerful
system (faster processor with more RAM) will allow for lower latency
(signal delay) than you might experience while monitoring audio or MIDI
signals. Monitor resolution for both PC and Mac should be no lower than
1024x768 pixels.
Microphone Preamp 1-16 (XLR Balanced)
Type: XLR Female, Balanced
Frequency Response to Direct Output: 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output: 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced): 1 kΩ
THD to Direct Output: < 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output: +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output: 105 dB
S/N Ratio to Main Output: 94 dB
Common Mode Rejection Ratio: 65 dB
Gain Control Range: -15 dB to +65 dB (± 1 dB)
Maximum Input Level (unity gain): +22 dBu
Phantom Power: +48 VDC
Line Inputs
Type: ¼" TRS Female, balanced mono
Frequency Response to Direct Outputs: 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs: 20-20 kHz, ±0.5 dBu
Input Impedance: 10 kΩ
THD to Direct Output: <0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output: 105 dB
S/N Ratio to Main Output: 94 dB
Gain Control Range (±1 dB): -20 dB to +20 dB
Maximum Input level (unity gain): +22 dBu
Tape Inputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +22 dBu
Auxiliary Inputs
Type: ¼" TRS Female, balanced (2 stereo pairs)
Maximum Input Level: +22 dBu
Main Outputs
Type: Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level: +24 dBu
Output Impedance: 100Ω
Aux Outputs
Type: ¼" TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Subgroup Outputs
Type ¼" TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level: +18 dBu
Output Impedance: 100Ω
Control Room Outputs
Type ¼" TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω
System Crosstalk
Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -87 dBu
Noise Gate / Expander
Threshold Range: -84 dB to 0 dB
Attack Time: 0.02s to 500 ms / 0.5 ms
Release Time: 0.05s to 2s
Expander Attenuation Range: 2:1
Gate Attenuation Range: -84 dB to 0 dB / ∞
Key Listen Filter: 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz
Limiter
Threshold: -56 dB to 0 dB / -28 dBFS
Ratio: ∞:1
Attack: 20 ms
Hold: 10 ms
Release: 20 ms
Compressor
Threshold Range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Attack Time: 0.2 ms to 150 ms
Release Time: 40 ms to 1000 ms
Auto Attack and Release: Attack = 10 ms, Release = 150 ms
Curve Types: hard and soft knee
Parametric EQ
Type: 2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass): 36 to 465 Hz, ±15 dB
Low Mid: 90 Hz to 1.2 kHz, ±15 dB
High Mid: 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass): 1.4 kHz to 18 kHz, ±15 dB
Q: 0.1 to 4 / Low Q= 0.55, Hi Q=2.0
Graphic EQ
31-Band 1/3rd Octave Controls: Curve-fitting algorithm
Gain/Attenuation: ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
FireWire: S800, 800 Mb/s
Internal Processing: 32-bit, floating point
Sampling Rate: 44.1, 48 kHz
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu
Clock
Jitter: <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation: >60 dB (1 ns in ≈ 1 ps out)
Power/Environmental
Connector: IEC
Input-Voltage Range: 90 to 240V, 50-60 Hz
Power Requirements: 200W
Temperature Range: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit




*Estimate Shipping between 5 - 12 weeks, or please call (083) 497-2227 for a faster air freight service with special price rate.



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