PreSonus StudioLive 24.4.2 AI

24-channel performance and recording digital console with Active Integration.




With its incredible signal-processing power on
every channel, easy store and recall of every setting, and the ability
to record it all with just two mouse clicks, a StudioLive mixer will
spoil you fast! Easier to use, better sounding, and flawlessly
integrated with state-of-the-art software, it delivers the most creative
environment possible for both live performance and studio music
production. The new AI series starts with all the strengths of previous
StudioLive models—and then pushes the technology to the next level. This
is the StudioLive 24.4.2 AI. There is a 32-channel version and a
16-channel version as well.

StudioLive 24.4.2AI is built with
next-generation Active Integration technology that adds unprecedented
power for mixing consoles anywhere near this price class. So while the
24.4.2AI looks and feels much like its non-AI counterparts it has with
far more computing power, which makes possible some very useful new
features.

For starters, you get twice as many internal effects
buses and 31-band graphic EQs. Presonus has added six mute groups and
user-assignable Quick Scene buttons.

You’ll love the ability to
create two complete sets of EQ and dynamics settings for a channel or
bus and then make quick A/B comparisons at the touch of a button.

A
built-in 48x34 FireWire S800 interface is standard equipment but
Thunderbolt and Dante cards are expected by the end of 2013. A dedicated
USB 2 port and included Wi-Fi LAN adapter lets you control the mixer
wirelessly—even without a Mac® or Windows® PC.

Of course, you get
the latest version of Presonus’ tightly integrated software bundle,
including updated Capture™ 2.0 recording software, Studio One Artist®
DAW, and Virtual StudioLive-AI editor/librarian/control software with
Smaart Measurement Technology™. StudioLive Remote-AI for iPad® and
QMix™-AI for iPhone®/iPod® touch will both be available free from the
Apple App Store.

The deeper you dig into the StudioLive
24.4.2AI’s capabilities, the more you will realize that the future of
digital mixing starts here and now.

The future is Active Integration
Products
that sense each other, interact and work together via wireless and
wired communication, feature 32-bit floating-point DSP and seamlessly
integrated software, and run on CPUs far more powerful than competitors’
current audio products—PreSonus has realized this dream with its new
Active Integration technology.

Thanks to Active Integration, the
StudioLive 32.4.2AI mixer has 64 times the processing power and an
incredible 10,000 times more RAM than the StudioLive 24.4.2. This makes
possible the aforementioned extended feature set.

A quick look at
the StudioLive 24.4.2AI reveals a now-familiar, user-friendly mixing
surface. It sports 100 mm faders for the 24 channels, 4 subgroups, and
main bus. As with all StudioLive mixers, convenient knobs and buttons
abound, and all core mixing features are immediately accessible from the
mixing surface, without using the LCD, providing an intuitive,
analog-like user experience.

The unique Fat Channel section
delivers a compressor, limiter, gate/expander, and four-band fully
parametric EQ on every channel, bus, and subgroup, plus a high-pass
filter and polarity invert for each channel—not to mention routing,
panning, and Scene and setting store and recall.

Select buttons
assign the channels, buses, and subgroups to the Fat Channel for
processing and routing. There’s a Talkback section, Cue section, and
extensive metering.

And of course you get aux buses—14 of them—and 32-bit floating-point stereo reverb and delay on dedicated buses—two of each.
View
the rear, and you’ll see a familiar StudioLive jack-field, with XLR mic
and ¼” inputs and TRS insert points on every channel, along with a
wealth of other inputs and outputs. A pair of FireWire ports—FireWire
S800, rather than the FireWire 400 ports found on the StudioLive 24.4.2,
16.4.2, and 16.0.2—provides wired networking to a Mac or PC, with
options for Thunderbolt and Dante.
Stereo S/PDIF digital
outputs—check! Analog direct channel outputs on DB25 connectors—check!
Obviously, flexible connectivity is no problem.

Yes, the 24.4.2AI
is a StudioLive. But it’s a major step beyond previous StudioLive
mixers. Easier to use, better sounding, and flawlessly integrated with
state-of-the-art software and extensive remote-control features,
StudioLive 24.4.2AI delivers the most creative environment possible for
both live performance and studio music production.

But StudioLive
is not simply a mixer, it's a rapidly growing family of
state-of-the-art, integrated hardware-software mixing and recording
systems that deliver the features you need for live sound, live
recording, and studio recording.

The StudioLive 24.4.2AI is a
fine choice for those who want to mix medium-sized and large shows and
worship services, and it's a great choice for club systems, corporate
applications, and educational institutions. And it's the perfect
hardware core for a sophisticated project studio.Here, in one device,
are high-headroom XMAX™ microphone preamplifiers, a built-in 48x34
FireWire S800 recording and playback interface, more than 300 signal
processors, a big library of DSP effects, 14 aux buses, 4 subgroups,
extensive LED metering, mixer save and recall, channel-strip
save/recall/copy/paste, talkback, and more.

Build live mixes that
glisten with clarity and detail—then record and enhance the performance
with the power of StudioLive 24.4.2AI. Get creative in the studio.
Build mixes, loops, sound effects, and more, then bring them out to your
show and mix them live. Process channels using your favorite plug-ins
and completely automate your entire performance.

That’s just the
start. Control the StudioLive 24.4.2AI from your Mac, PC, or iPad®.
Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to
the room and fix feedback problems with VSL-AI’s integrated Smaart
Measurement Technology™.StudioLive 24.4.2AI revolutionizes music
production, opening endless creative possibilities.

Control your
sound your way!With a PreSonus StudioLive-series digital mixer, you not
only get high-end sound and tremendous processing, mixing, and recording
power, you can control all of this sonic might from virtually anywhere.
Want to touch your mix with the physical feedback of real faders and
rotary knobs and an intuitive, analog-like user interface? The
StudioLive delivers big time; sound people who have only mixed with
analog boards quickly become comfortable working with a StudioLive.

Like
all StudioLive-series mixers, the StudioLive 32.4.2AI offers
convenient, backlit Mute and Solo buttons for every channel, subgroup,
and aux bus. But the 32.4.2AI adds another feature that makes the mutes
even more useful: six mute groups with All On and All Off
buttons.Virtual StudioLive-AI: The magic of computer control.Despite its
analog-like mixing surface, this is very much a digital console, and it
offers features no analog mixer—and very few digital boards—can match.
For example, the ability to control the StudioLive mixer from a laptop
adds tremendous flexibility and convenience—and with the bundled Virtual
StudioLive-AI bidirectional control/editor/librarian software, you get
it all for free.

Written exclusively for StudioLive mixers,
Virtual StudioLive (VSL) provides a complete visual representation of
the mixer, allowing you to control the features with a mouse, trackpad,
or trackball on a networked Mac® or Windows® PC. Add third-party VPN
software, and you can even control StudioLive mixers over the
Internet—ideal for contractors. To get a competing mixer with computer
control even close to this complete, you'd have to pay several times as
much.Even better: wireless control!You’re mixing a live show, and you
need to check the sound underneath the balcony—or in the balcony, for
that matter. Or you’re sound-checking and want to hear the stage
monitors for yourself. If you can’t leave the mixing station, you have
to rely on someone else’s ears. If you don’t have a reliable crew, you
don’t have a chance.

The StudioLive 32.4.2AI sports an Ethernet
port that allows you to connect to a wireless router for wired Ethernet
and wireless Wi-Fi networking. In addition, the mixer has a USB 2.0 port
that hosts the included USB Wi-Fi LAN adapter, providing wireless
networking without a router for situations where a less powerful, ad hoc
Wi-Fi connection is sufficient.In this way, the mixer can be controlled
from a laptop using VSL and from an iPad® using StudioLive Remote-AI,
which is available free from the Apple App Store. SL Remote-AI is easy
to use, provides control of almost every feature of the
StudioLive—including Scene changes and Smaart®. And it looks and feels
like an iPad app should.Yet even better: control of monitor mixes from
iPhones and iPod touches!We've given you a lot of sonic control with the
StudioLive 32.4.2AI, Virtual StudioLive-AI, and StudioLive Remote-AI.
It's only fair that we help you give the band control of their sound,
too. With PreSonus' free QMix™-AI, each band member can control their
own StudioLive 32.4.2AI aux (monitor) mix from an iPhone® or iPod®
touch. QMix lets you adjust a single aux mix per iPhone.

Select
inputs and levels for your custom monitor mix, and then use the Wheel of
Me to get, well… “more me”… quickly during performances.You can even
set permissions to ensure that the bass player, always the practical
joker, can't mess with the hot-tempered lead singer's monitor mix.
Otherwise, that bass player is going to get in trouble someday. The
level of control you get with PreSonus StudioLive-series mixers is
beyond cool—it's absolutely ice! Now you can control your sound from
anywhere you choose—no limits! Only with PreSonus StudioLive.

A
gigantic console in a small package thanks to the Fat Channel.If
StudioLive 32.4.2AI were an analog console, it would have 4-foot-long
channel strips packed with knobs and buttons or it would require a
massive outboard rack of expensive signal processors! That's because
each channel has its own studio-grade compressor, limiter,
gate/expander, 4-band parametric equalizer, and high-pass filter. In
all, we've packed 60 compressors, 60 limiters, 60 gate/expanders, 54
high-pass filters, and more, into one remarkable Fat Channel.

Because
the StudioLive 32.4.2AI has so much more processing power and
blazing-fast RAM than previous StudioLive models, you can create two
complete sets of EQ and dynamics-processor settings for every channel
and bus and then make quick A/B comparisons at the touch of the Alt EQ
& Dyn button. In this way, you can experiment with a new sound
without having to struggle to re-create your previous settings, and you
can edit a setting and then quickly verify that the new version is, in
fact, better.Not just effects. Effects you'd expect from a $600
stand-alone processor. Or two.

You get four programmable, 32-bit,
stereo DSP effects engines—two of them loaded with reverbs and two
armed with delay effects that you can really use. The reverbs are so
rich and detailed that you feel like you're there. Delays are precise.
Slap echo sounds like old-school tape effects.

All 50 preset
effects have easy-to-use parameter adjustments, tap tempo, store,
recall, and Scene selection for ultimate creative flexibility.The
reverbs are so rich and detailed that you feel like you’re there. Delays
are precise. Slap echo sounds like old-skool tape effects. All 50
effects have easy-to-use parameter adjustment, tap tempo, and store and
recall selection for the ultimate in creative flexibility.

The
StudioLive 32.4.2AI's 16 31-band graphic equalizers are pre-inserted on
each aux mix and on the Main bus so you can fix feedback problems and
adjust the frequency balance of your main mix.

Furthermore, with
Smaart Measurement Technology™, you'll be able to really put
StudioLive's 4-band, fully parametric EQs to work improving the sound of
your P.A. Precisely identify nasty feedback frequencies. Get your
loudspeakers to play nicer with the room they're in. Set the correct
subgroup output-delay time for remote speakers. All without having a
degree in acoustical engineering.What was then is now: complete store
and recall—instantly.

Two factors work against getting that
Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to
reproduce a week, day, or hour after you perfect it. And second, a good
mix should be dynamic: levels, effects, and EQ should be tailored to
each song or segment of the show, service, or presentation. This adds up
to a lot of settings to remember and reset at every performance.That's
where the power of digital comes in: StudioLive lets you save all of
your digital settings for quick setup and recall. Save Scenes that
include every setting on the mixer or save just the Fat Channel
settings. Copy-and-paste settings across multiple channels. Save
individual DSP effects for ultimate ease, speed, and control.

The
StudioLive 24.4.2AI makes saving and recalling Scenes faster and more
convenient than ever thanks to the Fat Channel’s six user-assignable
Quick Scene buttons. These buttons allow you to create a Scene without
storing it to permanent memory and giving it a name. This is especially
useful when mixing multiple bands that you might not ever mix again. You
can also use this to have important stored Scenes at your fingertips.

This
means that for fixed applications like clubs, churches, and
auditoriums, you can always count on the same sound and can fine-tune
Scenes for different songs and call them up instantly. And it lets rank
amateur volunteers successfully operate the StudioLive
24.4.2AI.Recording made easy with Capture™If you have a computer with
FireWire S800 connection, you have a 34-track digital recorder instantly
ready to capture your gig, church service, or presentation. That’s
because StudioLive 24.4.2AI features a tightly integrated FireWire 800
interface that delivers up to 48 channels of recording and up to 34
channels of simultaneous playback. Each analog channel on your
StudioLive can be set to record either pre- or post-Fat Channel signal
processing, delivering total flexibility and power.Just two mouse clicks
engages Capture™ recording software. When you install it on your
laptop, it automatically “maps” to the outputs of the 32.4.2AI to
automatically record all 32 input channels plus the stereo main
mix.Learn more about Capture.

Studio One® Artist — A serious
digital audio workstation.Once you’re recorded studio tracks or a live
multi-track performance, it’s time to finish it with effects and a good
mix (not to mention editing out that huge burst of feedback during the
third song).Studio One is a groundbreaking music-creation and
-production application for Mac OS X and Windows® that makes audio
recording and MIDI sequencing ridiculously simple right out of the
box.Studio One changes the rules of the game with fresh code, innovative
drag-and-drop features, advanced MIDI mapping, auto-configuration with
your StudioLive 24.4.2AI, insanely good audio quality, unlimited tracks
and plug-ins per track, and a powerful, inventive Start page. Studio One
Artist also comes with a Native Effects™ 32-bit effects library,
complete with dynamics processors, reverbs, modulation effects, amp
simulators, and more. And with Studio One's free Nimbit® extension, you
can immediately start selling your music.Inside, it's pure PreSonus.

Ease
of use and powerful features only count if the sound quality is equally
impressive. After all, it really comes down to how good those
microphone preamps are, how clean the signal path is, and how well the
algorithms perform.

That's why you should choose a digital mixer
made by PreSonus, a company already famous for its analog mic preamps,
pristine digital interfaces, and well-regarded signal processors.XMAX™
Class A preamplifiers deliver more headroom, deeper lows, smoother
highs, and a richer overall sound than the preamps found in competing
mixers. Ultra-high-headroom, 32-bit floating-point processing is used
for all digital mixing. All analog inputs and outputs use the highest
quality digital converters available.Synchronization to your computer is
stable and robust, thanks to JetPLL™ synchronization technology,
resulting in great stereo separation and clear, transparent audio.

A
Smaart addition to your system.Building a great mix is almost
impossible unless you tune your system to account for the acoustic
properties of the room—and every room is different. If the room
overemphasizes the lows, sucks out the highs, or emphasizes frequencies
that tend to cause feedback, you could have a long night ahead of you.

With
other mixing systems, you use your eyes, ears, and EQs; wade in; and do
the best you can. If you’re a top pro, you know how to read a difficult
room and compensate, but the rest of us usually just muddle
through—with uncertain results.Fortunately, it’s a lot easier with
StudioLive mixers because the included VSL control/editor/librarian
software incorporates Rational Acoustics’ Smaart Measurement
Technology™. Smaart is a collection of visual audio-measurement tools
and techniques for sound-system analysis and optimization that makes
tuning the system, squelching feedback, and setting delay times for
remote speakers much easier and more precise—and you don’t need an
engineering degree to use it.






Features

33 mic high-headroom Class A XMAX™ mic preamplifiers (32 channels plus Talkback)
32 balanced TRS line inputs
4 subgroups
Stereo/mono main out
14 auxiliary mixes
48-in/34-out FireWire S800 digital recording interface (24-bit/44.1 kHz and 48 kHz)
Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
Capture™ 2.0 recording software for Mac® and Windows®
StudioLive Remote-AI mixer-control software for iPad® available free from Apple App Store
QMix™-AI aux-control software for iPhone® and iPod touch® available free from Apple App Store
Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
+48V phantom power switch for condenser microphones
Digital Audio Input Select




Order now and realize unprecedented processing power on stage or in the studio.







StudioLive 24.4.2 AI Specifications:


Mac
Mac® OS X 10.7.2 or later
Intel® Core™ Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
2 GB RAM (4 GB or more recommended)
Windows
Windows® 7 x64/x86 SP1, Windows 8 x64/x86
Intel Core Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
2 GB RAM (4 GB or more recommended)
Mac and Windows Systems
FireWire S800 (IEEE 1394b) port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended
Monitor with 1024x768 resolution
The
minimum system requirements may differ for DAWs other than Studio One®.
Please check the requirements for your DAW of choice with its
manufacturer.
Note that the speed of your processor,
amount of RAM and size and speed of your hard drive will greatly affect
the overall performance of your recording system. Also, a more powerful
system (faster processor with more RAM) will allow for lower latency
(signal delay) than you might experience while monitoring audio or MIDI
signals. Monitor resolution for both PC and Mac should be no lower than
1024x768 pixels.
Microphone Preamp 1-24 (XLR Balanced)
Type: XLR Female, Balanced
Frequency Response to Direct Output: 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output: 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced): 1 kΩ
THD to Direct Output: < 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output: +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output: 105 dB
S/N Ratio to Main Output: 94 dB
Common Mode Rejection Ratio: 65 dB
Gain Control Range: -15 dB to +65 dB (± 1 dB)
Maximum Input Level (unity gain): +22 dBu
Phantom Power: +48 VDC
Line Inputs
Type: ¼" TRS Female, balanced mono
Frequency Response to Direct Outputs: 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs: 20-20 kHz, ±0.5 dBu
Input Impedance: 10 kΩ
THD to Direct Output: <0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output: 105 dB
S/N Ratio to Main Output: 94 dB
Gain Control Range (±1 dB): -20 dB to +20 dB
Maximum Input level (unity gain): +22 dBu
Tape Inputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +22 dBu
Auxiliary Inputs
Type: ¼" TRS Female, balanced (2 stereo pairs)
Maximum Input Level: +22 dBu
Main Outputs
Type: Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level: +24 dBu
Output Impedance: 100Ω
Aux Outputs
Type: ¼" TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Subgroup Outputs
Type ¼" TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Tape Outputs
Type RCA Female, unbalanced (stereo pair)
Rated Output Level: +18 dBu
Output Impedance: 100Ω
Control Room Outputs
Type ¼" TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω
System Crosstalk
Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): -87 dBu
Noise Gate / Expander
Threshold Range: -84 dB to 0 dB
Attack Time: 0.02s to 500 ms / 0.5 ms
Release Time: 0.05s to 2s
Expander Attenuation Range: 2:1
Gate Attenuation Range: -84 dB to 0 dB / ∞
Key Listen Filter: 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz
Limiter
Threshold: -56 dB to 0 dB / -28 dBFS
Ratio: ∞:1
Attack: 20 ms
Hold: 10 ms
Release: 20 ms
Compressor
Threshold Range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Attack Time: 0.2 ms to 150 ms
Release Time: 40 ms to 1000 ms
Auto Attack and Release: Attack = 10 ms, Release = 150 ms
Curve Types: hard and soft knee
Parametric EQ
Type: 2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass): 36 to 465 Hz, ±15 dB
Low Mid: 90 Hz to 1.2 kHz, ±15 dB
High Mid: 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass): 1.4 kHz to 18 kHz, ±15 dB
Q: 0.1 to 4 / Low Q= 0.55, Hi Q=2.0
Graphic EQ
31-Band 1/3rd Octave Controls: Curve-fitting algorithm
Gain/Attenuation: ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
FireWire: S800, 800 Mb/s
Internal Processing: 32-bit, floating point
Sampling Rate: 44.1, 48 kHz
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu
Clock
Jitter: <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation: >60 dB (1 ns in ≈ 1 ps out)
Power/Environmental
Connector: IEC
Input-Voltage Range: 90 to 240V, 50-60 Hz
Power Requirements: 200W
Temperature Range: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit




*Estimate Shipping between 5 - 12 weeks, or please call (083) 497-2227 for a faster air freight service with special price rate.




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