Yamaha MG124CX 12-Input Stereo Mixer with Compression and Effects

Adds DSP to the 124C feature set.




For applications requiring up to 12 input
channels, the Yamaha MG124CX mixer offers stunning MG-series sound plus
an extra margin of signal-routing versatility. The MG124CX features a
high-performance digital multi-effect processor built-in, giving you
everything you need in one compact, powerful package.

In spite
of the fact that it has 12 channels, four buses, and a wealth of
advanced features, the MG124CX is small and light enough (only 2.9
kilograms) to be tucked under an arm and set up just about anywhere.
This remarkable sound mixer provides significant space savings along
with huge performance benefits.

Flexible 12-input Configuration
The
MG124CX both has a total of 12 input channels - four mono
microphone/line inputs and four stereo line inputs. Two of the stereo
line inputs can also function as mono microphone inputs, giving you up
to six simultaneous mono microphone inputs when needed. Gain trim covers
a wide -60dB - -16dB range for microphone input, and -34dB - +10dB for
line input.

Comprehensive, Easy-access Connector Panel
Top-mounted
input and output connectors make setting up and re-patching your system
quick and easy. Both models feature high- quality Neutrik balanced XLR
connectors on all four mono microphone/line channels and two of the
stereo channels. The XLR-equipped stereo channels can accept mono
microphone input either via the XLR or phone jack connectors. The
remaining stereo channels provide phone jack and pin jack connectors for
compatibility with a wide range of sources. The four mono input
channels also feature insert I/O connectors that let you patch external
signal processing gear into those channels as required. Separate
pin-jack 2TR inputs are provided to accept the output from a CD player
or similar stereo source.

Six High-Performance Microphone Preamplifiers with Switchable Phantom Power
The
microphone preamplifiers in any mixer are critical to its overall
performance. The microphone preamps built into the MG mixers inherit
technology from Yamaha's top-line professional consoles, and have been
painstakingly designed to deliver superior sonic performance with any
dynamic or condenser microphone. All six microphone preamps feature
switchable phantom power so you can take advantage of the natural,
extended response of high-quality condenser microphones. A single switch
turns phantom power on or off for all microphone channels.

Built-in Channel Compressors
Built-in
channel dynamics is usually only found on high-end (and very expensive)
consoles. The MG124CX features Yamaha's innovative one-knob compression
feature on mono input channels 1 through 4. This advanced feature can
be a tremendous advantage in achieving great vocal sound. It can also be
used to refine the sound of bass, guitar, and other sources.
Conventional audio compressors with their threshold, ratio, knee, makeup
gain and other controls can be complex and time-consuming to set
appropriately for a given source. Yamaha's one-knob compressor
eliminates the need for an engineering degree with a single control that
lets you simply dial in the amount of compression you want.

3-Band Channel EQ and High-pass Filter
Yamaha
has decades of experience in building truly useful, musical
equalization into successful pro consoles, and the channel equalizers in
MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6,
and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH
controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of
stereo sources.

Four Buses (Stereo and Group)
In
addition to the main stereo bus the MG124CX features a stereo group bus
and outputs that can be used for convenient channel grouping. Assign
switches for the stereo and group buses are located next to each channel
fader.

Illuminated Channel ON Switches
All
input channels feature illuminated channel ON switches chat can be used
to individually add or remove channels from the mix without having to
change the positions of the channel faders. The effect channel on the
MG124CX also has its own ON switch.

Effect/Aux Sends
The
MG124CX has pre/post switchable AUX sends on all channels as well as
EFFECT send controls that adjust the level of the signal sent to the
mixer's internal multi-effect system.

Stereo, Control Room, Monitor, and Headphone Outputs
Located
above the mixer's master controls, on the convenient easy-access
connector panel, are the main stereo output connectors, phone-jack
monitor output connectors, pin-jack recording outputs, and a stereo
headphone jack. These versatile mixers offer plenty of connectivity for a
wide range of applications.

Bright 12-segment Meters for Visual Level Monitoring
Accurate
visual level monitoring can help you achieve maximum signal-to-noise
ratio without distortion. The MG mixer's bright, easy-to-read 12-segment
LED meters make it easy to control system levels for optimum overall
performance.

MG124CX Built-in SPX Effects
The
Yamaha MG124CX's includes an astonishing amount of SPX signal
processing power. It incorporates a versatile digital multi-effect
processor that provides a range of reverb, delay, modulation, and
distortion programs you can use to refine and define your sound. Each
of the 16 effect programs has a number of editable parameters as well as
effect on/off switching capability and return level control. If you
need to keep both hands free to play an instrument or perform other
operations, an optional footswitch can be connected to the mixer's
effect footswitch jack for convenient on/off switching.

Smooth 60-millimeter Faders

Channel
and master level control is accomplished via reliable, high-performance
60-millimeter linear faders that provide smooth, noise-free operation.
An important advantage of linear faders is that they provide a direct
visual indication of relative level settings

Easy Operation

All
switches, controls, and displays have been designed and laid out for
intuitive access and smooth, reliable operation with positive tactile
and visual feedback.



Features

12-input, 4-bus design
4 channels of single-knob compression
Built-in DSP for high quality effects
3-band EQ on inputs
Illuminated Channel On/Off switches




Order today and make quality mixes.





MG124CX 12-Input Stereo Mixer with Compression and Effects Specifications:

Frequency response: Stereo Out, Group OUT, EFFECT/AUX (AUX1, 2*), SEND, Monitor OUT, Rec Out: -3.0 — 1.0dB
Total Harmonic Distortion (THD + N) Stereo Out, +14dBu @ 20Hz-20kHz, Input Gain Control at minimum: 0.1%
Hum & Noise:
CH Input 1-4 MIC, EIN (Equivalent Input Noise): Rs = 150Ω, Gain: maximum: -128dBu
Stereo Out & Group OUT, Stereo Out, Group Master fader at nominal level
and all channels' ST and 1-2 switches off: -88dBu
EFFECT/AUX
(AUX1, 2*) SEND, Master EFFECT/AUX (AUX1, 2) control at nominal level
and all CH EFFECT/AUX (AUX1, 2) controls at minimum.: -81dBu
Stereo Out & Group OUT, Stereo, Group Master fader and one CH fader
at nominal level: -64dBu
Stereo Out Residual Output Noise -98dB
Crosstalk (1kHz): Adjacent Input CH 1-4: -70dB; Input to Output Stereo L/R, CH 1-4, PAN: panned hard left or right: -70dB
Phantom Voltage MIC: + 48V
Input HPF: CH 1-7/8, 80Hz, 12dB/oct
Input
equalization CH 1-7/8 HIGH: 10kHz (shelving), MID: 2.5kHz (peaking),
LOW: 100Hz (shelving); CH 9/10-11/12 HIGH: 10kHz (shelving), LOW: 100Hz
(shelving)
PEAK Indicator: Red LED turns on when post EQ signal
(either post MIC HA or post EQ signal for CH 5/6, 7/8) reaches -3dB
below clipping (+17dBu).
Internal Digital Effect*: 16 PROGRAM, PARAMETER control, Foot Switch (Digital Effect On/Off)
LED
Level Meter Pre Monitor Level: 2 x 12 points LED meter (PEAK, +10, +6,
+3, 0, -3, -6, -10, -15, -20, -25, -30dB), PEAK lights if the signal
level reaches 3dB below the clipping level.
Power Supply Adaptor PA-20: AC 35 VCT, 0.94 A, Cable Length = 3.6 m
Power Consumption: 30 W
Dimensions (WxHxD): 19.5" x 18.5" x 7.3" (346.2mm x 86.1mm x 436.6mm)
Weight: 16.5lb. (3.2kg)


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