Lovepedal Amp Eleven Overdrive

Lovepedal Amp Eleven Overdrive

The Prymaxe exclusive Lovepedal Amp Eleven overdrive was specially
voiced in collaboration with Prymaxe Vintage's own overdrive junky Mike
Hermans and offers independent switching for the first time. These
tweaks take what was already an amazing sounding, highly sought after
overdrive to the next level of Lovepedal warm overdriven glory.
Independent switching was always a tweak Amp Eleven enthusiasts
have asked Sean to add to this incredible overdrive. It is now finally
available for the first time exclusively through Prymaxe Vintage!


All of you COT50 fans should take note no one has ever heard THIS
modified COT50 in its singular state, it has always been coupled to the
overdrive circuit. This COT50 is warmer, more round sounding, and more
lush when compared to any other COT50 Lovepedal has ever produced. This
exclusive Amp Eleven is a new sound that COT50 users will find
absolutely addictive and an essential in their tonal pallet. The circuit
works extremely well with ANY amp even fender based, mid starved, black
face originals or reissues.


This Prymaxe exclusive Lovepedal Amp Eleven is by far and away one of
the best sounding and most dynamic overdrive pedals you could ever add
to your rig. It's not too often a pedal comes along that will
immediately take the top spot on your pedal board from get go, but this
time Lovepedal has done it again.

Lovepedal Amp Eleven Overdrive Features:

The circuit has around a 10 mA draw and can run from 7VDC to 18VDC
Custom black enclosure
Independent switching with LED status for each side
Bass, Treb, Volume, and Drive controls on the Overdrive side
Single Bias control on the boost side

Notes on the Bias Control:
The Bias control is used as a gain for these key reasons:

You get to control and sweep 3 parameters on a single knob
You get a nice eq trim as your forward the bias which is good.
Nobody likes their amp farting out with an absurd, overload of bass
while trying to create more compression and clipping. So while
forwarding the bias you do get a "trim" in bass response, but that is a
good thing as you push your amp or the next section of a drive circuit.
By forwarding the BIAS you make the transistor work harder, creating sustain, clipping and natural compression
You get a volume bump because the circuit is being biased hotter as
you advance the control which in turn pushes an already over driven amp
into pure tonal bliss or another drive type circuit that succeeds it.
This is great for a boost because it meets the requirement for live use
and getting your tone above the rest of the band to stand out.. This is
how I use the unit.. When playing with a band sometimes as a guitar
player you get drowned out by everything else and when it comes time for
your solo you need to jump up above the mix and cut through to be
heard. The circuit enables a guitarist to STAND OUT when they need to
most.


*Take note the boost side can crackle like an old
Rangemaster when you adjust it as it is driving the circuit hard and
there is DC across control. This noise only occurs on adjusting and is
normal. If it’s too bothersome disengage the unit before adjusting or
just strike a chord to soak up the DC during adjusting.
























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