PreSonus FireStudio Mobile 10x6 FireWire Recording System

The PreSonus FireStudio Mobile Recording System combines the superior analog-circuit design and advanced platform technology of PreSonus' acclaimed FireStudio rackmount interfaces with the ability to run on bus power in field applications. Now you can have enhanced audio performance for music recording and creation anywhere you can lug your laptop. The FireStudio Mobile is a ten-input, six-output professional audio recording system that combines two PreSonus XMAX Class A microphone preamplifiers; six line-level, analog input channels; S/PDIF digital input and output; MIDI I/O; and headphone monitoring with separate gain control. The FireStudio Mobile gives you tons of flexibility and a high input count making it possible to record a whole band. It's also bundled with PreSonus Studio One Artist, a groundbreaking music creation program, and over 4GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately. True 48-Volt Phantom Power — Even When Powered By Your Laptop Here's a dirty little secret: bus-powered mobile interfaces from other manufacturers deliver much less than the full 48 volts of phantom power that is specified by microphone manufacturers. This means even the finest condenser microphone can't work at optimal internal gain levels, potentially compromising sound quality even before the signal gets to the mic preamp. To get around this, the PreSonus' team of engineers created an "internal switching power plant" that lets the PreSonus FireStudio Mobile convert computer bus power into a full 48 volts of phantom power, as well delivering 30 volts to power the superb mic preamps you'll read about next. XMAX Class A Preamplifiers to Go PreSonus knows that the mic preamplifier is a key component in the sonic quality of a recording. The FireStudio Mobile includes custom-designed, high-voltage, discrete, XMAX Class A microphone preamplifiers that are suitable for use with all types of microphones. The job of a microphone preamplifier in an audio interface is to boost a microphone-level signal to line level before conversion to the digital domain. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. With XMAX preamps, the sonic quality is limited only by what microphone you plug into it. XMAX preamplifiers are built with three key elements: High Voltage — The XMAX preamplifier runs on power rails of 30V. These higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. Discrete components, not op-amps — PreSonus uses genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. The PreSonus' discrete design delivers ultra-low noise and transparency. Class A — Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are more common in other preamps. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and — most important — musicality and transparency, with smooth highs, solid deep lows, and everything in between. On the Front A pair of 3-LED level/clip indicators let you check the signal levels for channels 1 and 2, and a button enables 48V phantom power for the two mic channels. Also on the front panel are gain knobs for the two mic/instrument inputs and for the main stereo outputs and a stereo headphone output with gain knob. Gain for the mic inputs ranges from 10dB to +70dB; the high-impedance instrument inputs range from 30dB to +50dB of gain. Finally, a power/sync indicator LED shows whether the FireStudio Mobile is receiving adequate power and is correctly receiving word clock. Ins and Outs For a compact, portable unit, the FireStudio Mobile is loaded with I/O. It starts with a pair of combination XLR/TS mic/instrument jacks, which are in the inputs for channels 1 and 2. The XLR mic inputs are routed to the aforementioned XMAX solid-state mic preamplifiers. The high-impedance, TS instrument inputs let you plug guitars or basses directly into the front panel. On the back are 6 more balanced, 1/4-inch line level inputs for channels 3 through 8, plus a DB9 connector that accepts a breakout cable (included) to provide stereo S/PDIF digital I/O and MIDI I/O. You get two FireWire 400 ports: one port connects to your computer, and the other can be used to connect a hard drive or to daisy-chain any FireStudio-family interface allowing you to integrate the FireStudio Mobile into a larger system. Digital Converters and JetPLL Sync PreSonus FireStudio Mobile's A/D/A converters have a dynamic range of 118 dB for unbelievable clarity. Synchronization to your computer is stable and robust, thanks to JetPLL synchronization technology. JetPLL incorporates noise shaping to virtually remove all audio-band jitter, ensuring near-perfect clock performance and optimal converter performance when networking two or more digital-audio devices. JetPLL quickly locks to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. As a result, you'll experience better stereo separation and clearer, more transparent audio. Universal Control Like all members of the PreSonus FireStudio family, the FireStudio Mobile comes bundled with Universal Control software. Universal Control is a powerful, flexible, and easy-to-use control-panel application that allows you to daisy-chain to up to four FireStudio family devices for a maximum of up to 52 inputs and outputs (assuming your computer can handle that many tracks). Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio Mobile-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface's Device window. The Device window provides level and routing controls for each FireStudio-series interface's internal mixer, enabling you to set up zero-latency cue mixes. Input and output metering have been optimized for ultra-fast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain. Studio One Artist—Plus Gigabytes of Creative Resources The FireStudio Mobile recording system is bundled with an exceptional software package featuring PreSonus Studio One Artist DAW software for Mac OS X and Windows XP and Vista. It makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments, and a generous bundle of third-party loops, software, and instrument sounds.
PreSonus FireStudio Mobile 10x6 FireWire Recording System Features:

The first mobile interface with PreSonus' renowned studio-interface audio quality
Plug-and-play, high-speed FireWire 400 (IEEE 1394)
24-bit resolution with 44.1, 48, 88.2, 96kHz sampling rates
Record/playback 10 inputs and 6 outputs
2 XMAX PreSonus microphone/instrument preamplifiers with true 48V phantom power for condenser mics
8 line inputs, 2 line outputs
Stereo S/PDIF and MIDI input/output — DB9 break-out cable included
Zero-latency monitoring
Headphone output with gain control
Software router/mixer
Powered via FireWire bus or using included power supply
Windows- (32- and 64-bit) and Macintosh-compatible
Universal Control control-panel software
DICE II Chipset — extremely efficient data transfer
JetPLL — jitter-elimination technology
Road-rugged construction
Shockproof, reinforced metal chassis
Silky-smooth, sealed rotary controls
Military-grade circuit board
Chassis-mounted input/output sockets resist strain from jacks
Full shielding from external interference
Daisy-chainable with the PreSonus FireStudio family of products Full version of Studio One Artist multitrack-recording software and bundled extras:
Easy integration with no setup or configuration
Music-creation software with an intuitive, practical, single-window interface
Unlimited tracks, insert effects, sends, virtual instruments, buses, and effects channels
Powerful drag-and-drop functionality
Content browser with convenient sort options and preview player
Full-featured, flexible automation
Powerful realtime auto/manual time-stretching and resampling engine
Control Link (advanced MIDI mapping made easy)
Twenty 32-bit Native Sound plug-ins, including reverbs, amp modeling, and EQ
Four virtual instruments, including a sampler and an analog-type subtractive synth
Ability to control FireStudio Mobile's software mixer to create zero-latency cue mixes
Gigabytes of third-party resources, including Native Instruments KORE Player with custom SoundPack (150 instruments), Native Instruments' Guitar Rig LE, Toontrack EZdrummer Lite, and over 1.4 GB of loops

Get plenty of inputs, mobility, and the right software to get you started with this interface. Order today!
PreSonus FireStudio Mobile 10x6 FireWire Recording System Specifications:

System Requirements
Windows:
OS: Microsoft Windows XP and Windows Vista
CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
Memory(RAM): 1GB (more recommended) Macintosh:
OS: MacOS X 10.4.x or later (10.5 supported with driver update)
CPU/Clock: PowerPC G4/Dual 1GHZ or faster, all Intel-based Mac models
Memory(RAM): 1GB (more recommended) Windows and Macintosh Systems:
IEEE 1394 FireWire 400 Port
Internet connection
DVD-ROM drive
Internal or external 7200RPM storage drive is highly recommended Note that the speed of your processor, amount of RAM, and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Macintosh should be no lower than 1024 x 768 pixels. System Requirements for Studio One Artist
Mac: Mac OS X 10.4.11 or Mac OS X 10.5.2 or higher, PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor, 1GB RAM
Recommended: PowerPC G5 or better or Intel Core Duo or Intel Xeon processor or better, 2GB or more RAM
Win: Windows XP or Vista, Intel Pentium 4 1.6GHz processor or AMD Athlon 64 (Turion), 1GB RAM
Recommended: Intel Pentium 4 2.8GHz EM64T or better or AMD Athlon 64 3000+ or better, 2GB or more RAM
Windows and Macintosh Systems: Internet connection, DVD-ROM drive, a monitor resolution no lower than 1024x768 pixels Known compatible and incompatible hardware
Microphone preamp (XLR Balanced)
Frequency response (+0, -0.5 dB): 20Hz to 50kHz
Frequency response (+0/-3.0 dB): 20Hz to 150kHz
Input impedance: 1.6 kOhms
THD + N (unwtd, 1kHz @ +4dBu Output, Unity Gain): < 0.008%
EIN (unwtd, 55dB Gain, 150 Input, 20Hz to 22kHz): 130dBu
S/N Ratio (Unity Gain, unwtd, Ref = +4dBu, 20Hz to 22kHz): >101dB
Common Mode Rejection Ratio (1kHz, 55dB Gain): >55dB
Gain Control Range (± 1dB): 10dB to 70dB
Maximum Input level (Unity Gain, 1kHz @ 0.5% THD+N): +14 dBu
Phantom Power (± 2 VDC): +48 VDC Instrument Input: (1/4" TRS, Channels 1 & 2)
Type: TS Female Unbalanced
Input Impedance: 1 MOhms Main Outputs:
Type: 1/4" TRS Impedance Balanced
Output Impedance: 51Ohms Headphone Output
Type: 1/4" TRS Active Stereo
Maximum Output: 150 mW/CH @ 60Ohm Load
Frequency Response: 10Hz - 70kHz Digital Audio:
FireWire (IEEE 1394) Speed: 400 Mbps
ADC Dynamic Range (A-wtd, 48kHz): 118dB
DAC Dynamic Range (A-wtd, 48kHz): 118dB
Bit Depth: 24 bits
Reference Level for 0 dBFS: +10dBu
Internal Sample Frequency Selections: 44.1, 48, 88.2, 96kHz Clock:
Jitter:
Jitter Attenuation: >60dB (1 ns in => 1 ps out) Power:
Bus Power: 6-pin FireWire 400 or FireWire 800
Power Supply: External Switching Supply (12 VDC/1A) Dimensions (WxHxD): 5.5" x 1.75" x 5.5"/ 139.7mm x 44.5mm x 139.7mm
Weight: 4.5lb./2 kg.

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