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Schecter Guitar Research Gary Holt V-1 Electric Guitar Black

H70188

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āļĢāļŦāļąāļŠāļŠāļīāļ™āļ„āđ‰āļē:H70188
āļ§āļąāļ™āļ—āļĩāđˆāļĨāļ‡āļŠāļīāļ™āļ„āđ‰āļē:6 āļŠāļīāļ‡āļŦāļēāļ„āļĄ 2564
āļ­āļąāļžāđ€āļ”āļ—āļĨāđˆāļēāļŠāļļāļ”:6 āļŠāļīāļ‡āļŦāļēāļ„āļĄ 2564
āļĒāļĩāđˆāļŦāđ‰āļ­:Schecter Guitar Research
āļĢāļļāđˆāļ™:Gary Holt V-1 Electric Guitar Black

āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļīāļ™āļ„āđ‰āļē

Submit to the domination of the red and black.

The new Gary Holt V-1 electric guitar is a redesign of Schecter's popular V-1 shape, now with the longer 'wing' on top. This striking axe is trimmed in a blood red binding throughout and is armed with exclusive red EMG 81/89 active pickups delivering attack, sustain, and power. The 24-3/4" scale mahogany neck is set into the offset V body with an Ultra Access neck joint for unparalleled access to the 22th fret. The rosewood fingerboard is emblazed with a red Exodus 'goat head' inlay at the 12th fret. An Original Floyd Rose locking tremolo system provides rock steady tuning, even with torturous dive bombing. Gloss black finish, Grover tuners and black hardware are standard. Gary Holt is arguably one of the most influential metal guitarists and is credited as the founder of the 'Bay area thrash metal' sound. His band Exodus was formed in 1980 with Metallica's Kirk Hammett. With a career spanning 30 years, Gary has found a new home with Schecter. 3-piece mahogany neck Made with 3 pieces of mahogany for extra stability, 3-piece necks can withstand the test of time. Where standard necks may show aging defects from temperature and moisture changes throughout the years, the 3-piece neck will stay nice and straight for a lifetime of playability. Rosewood fingerboard The most commonly fretboard wood, rosewood is naturally oily, and works well for any surface that sees frequent human contact. The sound is richer in fundamental than Maple because the stray overtones are absorbed into the oily pores. EMG Active 81/85 humbuckers One of the most popular EMG’s the 81 is the one that started a revolution. Utilizing powerful ceramic magnets and close aperture coils, the tone was designed with detailed intensity, incredible amounts of high end cut and fluid sustain. Traditionally used in the bridge position, this pickup will make your leads slice right through even the densest mix. When used in both neck and bridge positions the sound can only be described as blistering. Although the EMG-85 Humbucker has more measurable output than the 81, its frequency response and string interface are different. The 85 uses 2 Alnico magnet-loaded coils with a wide aperture to maintain a beefy low end and a fatter top end. Because of a more natural tone, it works great as a rhythm and blues pickup because it has loads of output but isn't muddy. It's a perfect choice as a rhythm pickup in combination with an 81 in the bridge. Grover tuners Grover Rotomatics with 18:1 gear ratio. The original RotomaticÂŪ with an improved higher ratio gearing. The 18:1 ratio provides for finer tuning and greater stability. The finer gears provide smoother tuning and a higher degree of backlash elimination.


Features

V-shaped body
Blood red binding
Mahogany neck
24-3/4" scale
Rosewood fretboard
22 frets
Exodus pentagram inlay
EMG 81/85 active humbuckers
Master volume control with coil-splitting
3-way pickup switch
Original Floyd Rose locking tremolo system
Gloss black finish
Black hardware
Grover tuners



Grab a holt of this V-1 and hang on for dear life—order it now.

www.music-blvd.com
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$719.20 - $899.00

āļŦāļĄāļ§āļ”āļŦāļĄāļđāđˆ

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āđ‚āļ­āļ™āđ€āļ‡āļīāļ™āļšāļąāļāļŠāļĩāļ˜āļ™āļēāļ„āļēāļĢ
bank_transfer

āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāļšāļąāļāļŠāļĩāļ‚āļ­āļ‡āļ˜āļ™āļēāļ„āļēāļĢāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ—āļģāļĢāļēāļĒāļāļēāļĢāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™ āđāļĨāļ°āļĒāļ·āļ™āļĒāļąāļ™āļĢāļēāļĒāļāļēāļĢāļŠāļąāđˆāļ‡āļ‹āļ·āđ‰āļ­ āđ€āļĄāļ·āđˆāļ­āļ„āļļāļ“āđ‚āļ­āļ™āđ€āļ‡āļīāļ™āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āļŠāļēāļĄāļēāļĢāļ–āđāļˆāđ‰āļ‡āļāļēāļĢāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™āļ āļēāļĒāļŦāļĨāļąāļ‡āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ—āļēāļ‡āđ€āļĢāļēāļ—āļĢāļēāļšāđāļĨāļ°āļ•āļĢāļ§āļˆāļŠāļ­āļšāļĒāļ­āļ”āđ€āļ‡āļīāļ™āļ•āđˆāļ­āđ„āļ›

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  • āļ§āļīāļ˜āļĩāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™
*āļāļĢāļļāļ“āļēāļŠāļ­āļšāļ–āļēāļĄāļĢāļēāļ„āļēāļ›āļąāļˆāļˆāļļāļšāļąāļ™āđāļĨāļ°āļŠāļ–āļēāļ™āļ°āļŠāļīāļ™āļ„āđ‰āļēāļĨāđˆāļēāļŠāļļāļ”āļāđˆāļ­āļ™āļ—āļģāļāļēāļĢāļŠāļąāđˆāļ‡āļ‹āļ·āđ‰āļ­*

āļ‚āđ‰āļ­āļĄāļđāļĨāļŠāļīāļ™āļ„āđ‰āļē

āļĢāļŦāļąāļŠāļŠāļīāļ™āļ„āđ‰āļē:H70188
āļ§āļąāļ™āļ—āļĩāđˆāļĨāļ‡āļŠāļīāļ™āļ„āđ‰āļē:6 āļŠāļīāļ‡āļŦāļēāļ„āļĄ 2564
āļ­āļąāļžāđ€āļ”āļ—āļĨāđˆāļēāļŠāļļāļ”:6 āļŠāļīāļ‡āļŦāļēāļ„āļĄ 2564
āļĒāļĩāđˆāļŦāđ‰āļ­:Schecter Guitar Research
āļĢāļļāđˆāļ™:Gary Holt V-1 Electric Guitar Black

āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļīāļ™āļ„āđ‰āļē

Submit to the domination of the red and black.

The new Gary Holt V-1 electric guitar is a redesign of Schecter's popular V-1 shape, now with the longer 'wing' on top. This striking axe is trimmed in a blood red binding throughout and is armed with exclusive red EMG 81/89 active pickups delivering attack, sustain, and power. The 24-3/4" scale mahogany neck is set into the offset V body with an Ultra Access neck joint for unparalleled access to the 22th fret. The rosewood fingerboard is emblazed with a red Exodus 'goat head' inlay at the 12th fret. An Original Floyd Rose locking tremolo system provides rock steady tuning, even with torturous dive bombing. Gloss black finish, Grover tuners and black hardware are standard. Gary Holt is arguably one of the most influential metal guitarists and is credited as the founder of the 'Bay area thrash metal' sound. His band Exodus was formed in 1980 with Metallica's Kirk Hammett. With a career spanning 30 years, Gary has found a new home with Schecter. 3-piece mahogany neck Made with 3 pieces of mahogany for extra stability, 3-piece necks can withstand the test of time. Where standard necks may show aging defects from temperature and moisture changes throughout the years, the 3-piece neck will stay nice and straight for a lifetime of playability. Rosewood fingerboard The most commonly fretboard wood, rosewood is naturally oily, and works well for any surface that sees frequent human contact. The sound is richer in fundamental than Maple because the stray overtones are absorbed into the oily pores. EMG Active 81/85 humbuckers One of the most popular EMG’s the 81 is the one that started a revolution. Utilizing powerful ceramic magnets and close aperture coils, the tone was designed with detailed intensity, incredible amounts of high end cut and fluid sustain. Traditionally used in the bridge position, this pickup will make your leads slice right through even the densest mix. When used in both neck and bridge positions the sound can only be described as blistering. Although the EMG-85 Humbucker has more measurable output than the 81, its frequency response and string interface are different. The 85 uses 2 Alnico magnet-loaded coils with a wide aperture to maintain a beefy low end and a fatter top end. Because of a more natural tone, it works great as a rhythm and blues pickup because it has loads of output but isn't muddy. It's a perfect choice as a rhythm pickup in combination with an 81 in the bridge. Grover tuners Grover Rotomatics with 18:1 gear ratio. The original RotomaticÂŪ with an improved higher ratio gearing. The 18:1 ratio provides for finer tuning and greater stability. The finer gears provide smoother tuning and a higher degree of backlash elimination.


Features

V-shaped body
Blood red binding
Mahogany neck
24-3/4" scale
Rosewood fretboard
22 frets
Exodus pentagram inlay
EMG 81/85 active humbuckers
Master volume control with coil-splitting
3-way pickup switch
Original Floyd Rose locking tremolo system
Gloss black finish
Black hardware
Grover tuners



Grab a holt of this V-1 and hang on for dear life—order it now.

www.music-blvd.com
(I)
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4.5 (3 Reviews)
$1,049.00 res12120908703833734478724


res12120908703833734478724

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$999.00


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Synyster SYN Custom Limited Electric Guitar Black/Red
4.5 (14 Reviews)
$999.00


res12120908703833734478724


res12120908703833734478724

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0.0 (0 Reviews)
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res12120908703833734478724


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5.0 (2 Reviews)
$899.00



Schecter Guitar Research Jeff Loomis JLV-6 FR Electric Guitar Satin Black
0.0 (0 Reviews)
$899.00 res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research V-1 SPECIAL EDITION PASSIVE Electric Guitar Black
0.0 (0 Reviews)
$559.20 - $699.00


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Blackjack SLS V-1 FR Active Electric Guitar Satin Black
0.0 (0 Reviews)
$719.20


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research S-1 Custom Electric Guitar Dark Vintage Sunburst
0.0 (0 Reviews)
$559.20 - $699.00


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Hellraiser FR Devil Spine Electric Guitar See-thru Black
0.0 (0 Reviews)
$607.36 - $759.20



Schecter Guitar Research Dan Donegan Ultra Signature Electric Guitar Black Cherry
5.0 (2 Reviews)
$839.20 - $1,049.00 res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Gary Holt V-1 Left Handed Electric Guitar Black
0.0 (0 Reviews)
$1,049.00


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Shaun Morgan Electric Guitar Three Tone Sunburst Satin
4.0 (1 Reviews)
$599.00


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Synyster Gates Special Electric Guitar Black
0.0 (0 Reviews)
$679.20 - $849.00


res12120908703833734478724


res12120908703833734478724

Schecter Guitar Research Jeff Loomis JLV-7 NT 7-String Electric Guitar Satin Black
0.0 (0 Reviews)
$719.20 - $899.00

āļŦāļĄāļ§āļ”āļŦāļĄāļđāđˆ

āļ§āļīāļ˜āļĩāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™

āđ‚āļ­āļ™āđ€āļ‡āļīāļ™āļšāļąāļāļŠāļĩāļ˜āļ™āļēāļ„āļēāļĢ
bank_transfer

āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāļšāļąāļāļŠāļĩāļ‚āļ­āļ‡āļ˜āļ™āļēāļ„āļēāļĢāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ—āļģāļĢāļēāļĒāļāļēāļĢāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™ āđāļĨāļ°āļĒāļ·āļ™āļĒāļąāļ™āļĢāļēāļĒāļāļēāļĢāļŠāļąāđˆāļ‡āļ‹āļ·āđ‰āļ­ āđ€āļĄāļ·āđˆāļ­āļ„āļļāļ“āđ‚āļ­āļ™āđ€āļ‡āļīāļ™āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āļŠāļēāļĄāļēāļĢāļ–āđāļˆāđ‰āļ‡āļāļēāļĢāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™āļ āļēāļĒāļŦāļĨāļąāļ‡āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ—āļēāļ‡āđ€āļĢāļēāļ—āļĢāļēāļšāđāļĨāļ°āļ•āļĢāļ§āļˆāļŠāļ­āļšāļĒāļ­āļ”āđ€āļ‡āļīāļ™āļ•āđˆāļ­āđ„āļ›

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